We are the stories we tell–
Even this one
we weave together.
Our beautiful words
dance with each other
and our love multiplies.
We are the stories we tell–
Even this one
we weave together.
Our beautiful words
dance with each other
and our love multiplies.
This sun, this moon,
this moss-covered womb
from which love awakes.
To know you now,
(Why not then? But still … now!)
The butterflies have multiplied.
I catch them with your net–
cupped hands, night of your gossamer stars,
in which all the creatures sleep–
their breasts peacefully heave,
as so does my heart,
as so does the smile I wrought on your face,
from horizon to horizon bowed–
wide valley with my soul-river running through it.
Mistress city
my fingers trace
your long highways–
soft as Persian carpets.
Your spires lure
your lamps conspire
your thousand eyes
glitter behind neon and fogged glass–
each an eager conversation–
hushed whispers that leap like young gazelles,
whipping up a tempest of longing on the hot savanna.
What lion would favor the Sultan’s banquet to your fevered flesh?
All the world is in your eye
that bends like a reed;
the wind–your brush,
the canvas–seed.
With what strokes the world is made
the downy moon, the sun inlaid,
and fields of lemon freckled jade.
And ‘though I’m fearless,
and dance among the dying days,
in you, I’m seen–
your pastels, ring’d–
such joy and solace for my westering heart!
There are moments that linger in the memory.
Such a moment I think is this.
She stood upon a precipice–
to fly or to fall,
and unfolded herself before me,
exposed and offered up her foetal want–
“Will you accept this?” she asked.
She stepped out into space,
and of course, I caught her as she fell,
and lifted her up into the sun
where I now know we both wanted to be.
I knew from that moment I had always loved her.
I had loved her before even setting eyes upon her.
She is an archetype shimmering in my pre-memory–
Something I knew before I could know it.
The world turned back ’round
and said, “You’ve suffered long enough, old man.”
May I say that I love you?
The words vault, skitter, and chase
each other like butterflies,
and seep out of me,
out of every pore.
I may say them,
if I say them unashamed,
and with earnest heart.
Ah me … you, this strange, singular life.
To love and be astonished by it.
These are the golden moments–
Golden boughs.
The end may tremble in a mouth’ed O.
Yet still they burn unperturbed–
tiny lamps of adoration
lit for all eternity.
Ma muse chérie, je t’adore
For now and forevermore.
I opened your book and what did I read?
Whispers of heavenly death murmur’d I hear
Only an hour before I drowned a mortally wounded fledgling,
too young to die not having lived to fly.
Only after the god-play, huddled in silence
do I laugh and hear laughter
and pluck words like feathers from sleeping hours.
I was there to drink all these tears
of unfathomable living and dying.
This city speaks not one, not two,
but three languages,
even four, maybe more.
The carefree brown-eyed girl–
she thrusts her fingers into the Earth
scoops out the soil, puts it close to her ear,
and it babbles like a lost child to its mother.
I love this city … at least, when it’s not winter.
I was riding the Metro toward downtown from Le Plateau-Mont-Royal , and a young man boarded my tram. He behaved as if he had some sort of mental disability. I’m no doctor, so I can’t be more specific.
His exuberance, however, was infectious. He was very excited to be going to McGill. He jerkily walked up and down the tram, laughing and incoherently rambling in a slurred speech. He walked up to me twice, looked me in the eye, smiled, and exclaimed, “I’m going to McGill!”
The other passengers smiled, as well. How could you not be happy for him?
The train’s loudspeaker signaled, “Prochain station … McGill.” When the train came to a stop, he proudly proclaimed, “I’m going to see my girlfriend in McGill!” and hopped off the train.
At any rate, here are some pictures of beautiful Montreal!