Here are some pics from my day trip (by rail from Boston) to Providence, RI. Enjoy!
Fog
The fog comes
on little cat feet.
It sits looking
over the harbor and city
on silent haunches
and then moves on.
My Commentary
Each step will take you
as far forward as the light
it lets in.
May your path shine.
The Waning Moon
And like a dying lady, lean and pale,
Who totters forth, wrapp’d in a gauzy veil,
Out of her chamber, led by the insane
And feeble wanderings of her fading brain,
The moon arose up in the murky East,
A white and shapeless mass.
My Commentary
The moment may heal
if the physician applies salve
to your wound.
The 100 Day Project is a creativity excavation. It’s about unearthing dormant or unrealized creativity by committing to a daily practice everyday for 100 days.
Creativity is a skill. The more we practice, the more skilled we become. Practice takes time. Practice takes commitment. Practice is a radical act in this speeded up world. Through practice, we develop a creative habit. Through habit, we reconnect with and know ourselves again as a creative being.
I started this 100 Day Project on May 11th. My project is to read a poem, and write at least one first-draft stanza inspired by that poem. I’ll post the results at www.bradseverance.com/category/100-day-project/
Enjoy!
Spring
To what purpose, April, do you return again?
Beauty is not enough.
You can no longer quiet me with the redness
Of little leaves opening stickily.
I know what I know.
The sun is hot on my neck as I observe
The spikes of crocus.
The smell of the earth is good.
It is apparent that there is no death.
But what does that signify?
Not only under ground are the brains of men
Eaten by maggots.
Life in itself
Is nothing,
An empty cup, a flight of uncarpeted stairs.
It is not enough that yearly, down this hill,
April
Comes like an idiot, babbling and strewing flowers.
My Commentary
If this water I drink be pure,
then why, like a knave,
can’t I finish a single thought
before the next unbidden begins?
The Lamb
Little lamb, who made thee?
Dost thou know who made thee,
Gave thee life, and bid thee feed
By the stream and o’er the mead;
Gave thee clothing of delight,
Softest clothing, woolly, bright;
Gave thee such a tender voice,
Making all the vales rejoice?
Little lamb, who made thee?
Dost thou know who made thee?
Little lamb, I’ll tell thee;
Little lamb, I’ll tell thee:
He is called by thy name,
For He calls Himself a Lamb.
He is meek, and He is mild,
He became a little child.
I a child, and thou a lamb,
We are called by His name.
Little lamb, God bless thee!
Little lamb, God bless thee!
My Commentary
Melancholy creature whose master is man,
we are none without our overlords.
Let us weep, you and I together,
for our inherited condition.
The 100 Day Project is a creativity excavation. It’s about unearthing dormant or unrealized creativity by committing to a daily practice everyday for 100 days.
Creativity is a skill. The more we practice, the more skilled we become. Practice takes time. Practice takes commitment. Practice is a radical act in this speeded up world. Through practice, we develop a creative habit. Through habit, we reconnect with and know ourselves again as a creative being.
I started this 100 Day Project on May 11th. My project is to read a poem, and write at least one first-draft stanza inspired by that poem. I’ll post the results at www.bradseverance.com/category/100-day-project/
Enjoy!
I got a little behind, so I’m catching up with some random pics from the past AND a few pics from my trip to Boston, which I am currently on!
From the Book of Hours
No one lives his life.
Disguised since childhood,
haphazardly assembled
from voices and fears and little pleasures,
We come of age as masks.
Our true face never speaks.
Somewhere there must be storehouses
where all these lives are laid away
like suits of armor or old carriages
or clothes hanging limply on the walls.
Maybe all paths lead there,
to the repository of unlived things.
From the Book of Hours
And yet, though we strain
against the deadening grip
of daily necessity,
I sense there is this mystery:
All life is being lived.
Who is living it, then?
Is it the things themselves,
or something waiting inside them,
like an unplayed melody in a flute?
Is it the winds blowing over the waters?
Is it the branches that signal to each other?
Is it flowers
interweaving their fragrances,
or streets, as they wind through time?
Is it animals, warmly moving,
or the birds, that suddenly rise up?
Who lives it, then? God, are you the one
who is living life?
My Commentary
I combined these two poems together.
YOU ARE THERE
You are there.
Hiding in the brush on a well-worn path,
although the patient and practiced eye
may catch you darting like a house wren
from your nest.
Or you may roll off dew-wet, undulant hills
like a morning fog in early spring.
Or you may rise like vapor
from the cracked concrete
in an alleyway behind tortured faces.
How many times must I leave you
only to find you again in these places?
And yet these are only your robes and crown.
You are beneath and within them.
You are wherever I may truly look
with a wide, unblinking eye.
Both of these poems came from Rilke’s Book of Hours, translated by Anita Barrows and Joanna Macy, which you can purchase on Amazon.
The 100 Day Project is a creativity excavation. It’s about unearthing dormant or unrealized creativity by committing to a daily practice everyday for 100 days.
Creativity is a skill. The more we practice, the more skilled we become. Practice takes time. Practice takes commitment. Practice is a radical act in this speeded up world. Through practice, we develop a creative habit. Through habit, we reconnect with and know ourselves again as a creative being.
I started this 100 Day Project on May 11th. My project is to read a poem, and write at least one first-draft stanza inspired by that poem. I’ll post the results at www.bradseverance.com/category/100-day-project/
Enjoy!
The divine will
The divine will
is a deep abyss
of which the present
moment is the entrance.
If you plunge
into this abyss
you will find it
infinitely more vast
than your
desires.
My Commentary
It’s not so much a skill,
as an act of love,
when the wanderer feels
a little pain to make the moment real …
some sweat on the brow and tired legs,
… and then the words, one by one,
come
and coalesce
into full thoughts and consciousness.
The Sum of Perfections
Creation forgotten,
Creator only known,
Attention turned inward,
In love with the Beloved alone.
My Commentary
Would you cheapen the world with an idle spirit?
Its value to you increases the heavier the price.
How will you pay? In copper, silver, or gold?
The 100 Day Project is a creativity excavation. It’s about unearthing dormant or unrealized creativity by committing to a daily practice everyday for 100 days.
Creativity is a skill. The more we practice, the more skilled we become. Practice takes time. Practice takes commitment. Practice is a radical act in this speeded up world. Through practice, we develop a creative habit. Through habit, we reconnect with and know ourselves again as a creative being.
I started this 100 Day Project on May 11th. My project is to read a poem, and write at least one first-draft stanza inspired by that poem. I’ll post the results at www.bradseverance.com/category/100-day-project/
Enjoy!
Both of the poems above came from Roger Housden’s for lovers of god everywhere, which you can purchase on Amazon.
The Road Not Taken
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
The Song of the Wandering Aengus
I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;
And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.
When I had laid it on the floor
I went to blow the fire a-flame,
But something rustled on the floor,
And someone called me by my name:
It had become a glimmering girl
With apple blossom in her hair
Who called me by my name and ran
And faded through the brightening air.
Though I am old with wandering
Through hollow lands and hilly lands,
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass,
And pluck till time and times are done,
The silver apples of the moon,
The golden apples of the sun.
My Commentary
I’m combining the stanzas for these two poems together.
REMEMBERING
It’s easy to
forget to breathe
when you’re always
surrounded by
air.
The aged man
bows to time,
unrelenting,
and wonders how
and where.
The 100 Day Project is a creativity excavation. It’s about unearthing dormant or unrealized creativity by committing to a daily practice everyday for 100 days.
Creativity is a skill. The more we practice, the more skilled we become. Practice takes time. Practice takes commitment. Practice is a radical act in this speeded up world. Through practice, we develop a creative habit. Through habit, we reconnect with and know ourselves again as a creative being.
I started this 100 Day Project on May 11th. My project is to read a poem, and write at least one first-draft stanza inspired by that poem. I’ll post the results at www.bradseverance.com/category/100-day-project/
Enjoy!
Root Cellar
Nothing would sleep in that cellar, dank as a ditch,
Bulbs broke out of boxes hunting for chinks in the dark,
Shoots dangled and drooped,
Lolling obscenely from mildewed crates,
Hung down long yellow evil necks, like tropical snakes.
And what a congress of stinks!—
Roots ripe as old bait,
Pulpy stems, rank, silo-rich,
Leaf-mold, manure, lime, piled against slippery planks.
Nothing would give up life:
Even the dirt kept breathing a small breath.
My Commentary
If I would but love then I would lay
this illusive fog into the grave.
And then the sun and all her children,
lazily roaming, silver and snowy …
would reveal their truths to me.
When green buds hang in the elm
When green buds hang in the elm like dust
And sprinkle the lime like rain,
Forth I wander, forth I must,
And drink of life again.
Forth I must by hedgerow bowers
To look at the leaves uncurled,
And stand in the fields where cuckoo-flowers
Are lying about the world.
My Commentary
This way the raven cried
so loud and shrill I could not hide
from the regal imperative.
Dutifully bent, I rose to follow,
the day now spent, the world now hollow
and into the clutching darkness went.
The 100 Day Project is a creativity excavation. It’s about unearthing dormant or unrealized creativity by committing to a daily practice everyday for 100 days.
Creativity is a skill. The more we practice, the more skilled we become. Practice takes time. Practice takes commitment. Practice is a radical act in this speeded up world. Through practice, we develop a creative habit. Through habit, we reconnect with and know ourselves again as a creative being.
I started this 100 Day Project on May 11th. My project is to read a poem, and write at least one first-draft stanza inspired by that poem. I’ll post the results at www.bradseverance.com/category/100-day-project/
Enjoy!
From the Book of Hours
We must not portray you in king’s robes,
you drifting mist that brought forth the morning.
Once again from the old paintboxes
we take the same gold for scepter and crown
that has disguised you through the ages.
Piously we produce our images of you
till they stand around you like a thousand walls.
And when our hearts would simply open,
our fervent hands hide you.
My Commentary
Do you hear them?
You spoke those words in your youth,
and still they are written,
penned in shadows on the dark hillside,
and still they are sung
by angels on the other side of the bright, blue sky.
From the Book of Hours
I love the dark hours of my being.
My mind deepens into them.
There I can find, as in old letters,
the days of my life, already lived,
and held like a legend, and understood.
Then the knowing comes: I can open
to another life that’s wide and timeless.
So I am sometimes like a tree
rustling over a gravesite
and making real the dream
of the one its living roots
embrace:
a dream once lost
among sorrows and songs.
My Commentary
It is not the face of God
I see in this creature,
but God himself.
And God sees in me my mortality,
And loves and pities me for it.
The 100 Day Project is a creativity excavation. It’s about unearthing dormant or unrealized creativity by committing to a daily practice everyday for 100 days.
Creativity is a skill. The more we practice, the more skilled we become. Practice takes time. Practice takes commitment. Practice is a radical act in this speeded up world. Through practice, we develop a creative habit. Through habit, we reconnect with and know ourselves again as a creative being.
I started this 100 Day Project on May 11th. My project is to read a poem, and write at least one first-draft stanza inspired by that poem. I’ll post the results at www.bradseverance.com/category/100-day-project/
Enjoy!
