Jane Eyre Vocabulary (First Installment)

I’m reading Jane Eyre by Charlotte Bronte. It was first published in 1847 under the pseudonym Currer Bell. The novel recounts the life of Jane Eyre, an orphan that grows up in a boarding school, suffering many injustices along the way, and eventually becomes a governess later in life.

This book is chock-full of abstruse (for me, at any rate) words. I thought I’d document my journey through the book and its formidable vocabulary in my blog.

So, without further ado …

phylactery: either of two small square leather boxes containing slips inscribed with scriptural passages and traditionally worn on the left arm and on the head by observant Jewish men and especially adherents of Orthodox Judaism during morning weekday prayers. AMULET.

I stole David’s phylactery and put it on my kitty’s head.

slatternly: untidy and dirty through habitual neglect. CARELESS. DISORDERLY.

My slatternly habits were disapprovingly scrutinized by my girlfriend.

assiduity: the quality or state of being assiduous (duh). DILIGENCE.

The student applied himself with heroic assiduity to his studies.

mien: a person’s appearance or facial expression.

The wanderer’s somber mien belied his kindness and generosity.

imputation: attribution. Accusation. Insinuation.

The judge’s imputation cut deep the criminal’s guilty heart.

hebdomadal: weekly.

I fervently looked forward to our clandestine hebdomadal meetings in the Garden of Much Zen.

Well, that’s all for now. Feel free to comment on this post with your own sentences from the words above. I’ll leave you with a quote from Jane Eyre:

It is far better to endure patiently a smart which nobody feels but yourself, than to commit a hasty action whose evil consequences will extend to all connected with you; and besides, the Bible bids us return good for evil.

Balloon, Orange Juice, Tape Recorder

Dominique Manfredi sat outside at a corner table at The White Peacock Café. He had just ordered two eggs (sunny side up), toast with raspberry marmalade, espresso, and a half-glass of freshly squeezed orange juice. It was just after ten in the morning on yet another perfect day in sunny Hollywood, California.

He was anxious. A looming deadline haunted him. In two days, the screenplay he had spent the past two months pouring himself into was due. Galaxy Studios wouldn’t tolerate another delay, and Dominique desperately needed the cash the finished screenplay would bring. His brainchild and labor of love, An Heiress’ Son, was nearly complete. In fact, he was up late the evening before crafting the final scene. However, he felt it lacked something‒a certain nuance he couldn’t quite put his finger on.

He pressed the red button on his portable voice recorder. The tape was nearly full. He intoned thoughtfully, “Idea. The boy walks away, down a long dark alleyway, having seen his mother for the last time. He sobs. The sun falls behind the skyscrapers that loom over him like frozen granite monsters. It starts to rain.”

It didn’t feel right. Something was missing.

Dominique set the recorder down and sipped his espresso. He observed the wake of bobbing heads of passing pedestrians‒tourists, stars-to-be, locals‒drift by in an orderly chaos with a rhythm all its own.

He saw a boy with a blue, helium-filled balloon. It buffeted on the air a couple feet above his head as he happily skipped by without a care in the world. As he passed Dominique, he tripped and fell, and the balloon sailed up and away, free from its master, to God knows where. The boy cried plaintively, beseeching Dominique with tear-filled eyes to do something. Anything.

Dominique was at a loss.

“Sorry, kid. It’s gone.”

The boy sobbed and walked away. Dominique watched him recede into the crowded street. He gulped the last of his orange juice and pressed the red button on his voice recorder yet again. “Idea. The heiress gives her son a blue balloon, an unsatisfactory parting gift. It does nothing to soothe the boy’s broken heart, but the heiress appears unconcerned. He cries. She dispassionately strokes his hair and walks quickly away. He walks into the alleyway, head bowed, and lets the balloon go. The camera follows the balloon up into the sunset. It drifts out of view.

Dominique paid his check, walked home, and fell quickly asleep.

There Were Trees

I remember there were trees,
And shadows
And the smell of wet grass
And tiny ripe berries
That my Mom said were poisonous,
So that I wouldn’t eat them.
And a rusted swing.

Back then
It was easy to catch up to myself,
Because I always was.

But now
I must try
To be who I am.

It’s easy to give thanks
When it does happen …
When my God cups me in his hand.

This Time

A child sat alone,
As he had done
A hundred times before.

But this time …
This time. His God tends to him
And tips His decanter
To his lips
And lines of wine
Dribble and fall.

Don’t deliberate,
Catch them all with your tongue, my child.
Each drop is precious gold,
Pearls from a mindful steward.

A Woman Named L.

A woman named L.
Read the book of M.
In something less than a house−
A stranger’s strange medicine.

Despite her scorn,
For the word well-worn,
The book on my shelf is what
She’s really interested in.

Word of the Day: Thaumaturgy

The Word of the Day today is Thaumaturgy. I discovered this word today while reading Alice Munro’s Runaway (great book, by the way):

At college she had mentioned how her father had explained to her what thaumaturgy meant, when she ran across the word at the age of twelve or thirteen.

According to Merriam-Webster, thaumaturgy means “the performance of miracles.”

This is how H.G. Wells used the word in his short story The Man Who Could Work Miracles:

There were astonishing changes. The small hours found Mr. Maydig and Mr. Fotheringay careering across the chilly market square under the still moon, in a sort of ecstasy of thaumaturgy, Mr. Maydig all flap and gesture, Mr. Fotheringay short and bristling, and no longer abashed at his greatness.

And if I were forced to use the word in a sentence, I might conjure up something like:

On a bustling Friday afternoon, the wandering monk walked into the town square, and to everyone’s astonishment, miraculously transformed the water in the big fountain into Shasta Orange Soda, an unequivocal demonstration of thaumaturgy.

Word of the Day: Augean

The Word of the Day this summer is Augean. According to Merriam-Websters, Augean means “extremely formidable or difficult and occasionally distasteful”, as in an Augean task.

The reason Augean means what it does should become clear once we learn about the fifth labor of Hercules.

Hercules Takes a Break

If you’re not familiar with the story of the twelve labors of Hercules, I’ll outline it briefly for you now. Hera (wife of Zeus) wished to make life difficult for poor old Hercules, so she caused him to go insane. While he was out of his mind, he killed his wife and children. When he came to his senses, he asked Apollo what he she do to atone for the murders he committed. Apollo said that he should serve Eurystheus, the king of Tiryns and Mycenae, for twelve years. Eurystheus proposed twelve labors that Hercules must perform to absolve himself of his sins.

Well, I won’t bore you with all the twelve labors. The fifth labor, however, is in what we’re particularly interested. Eurystheus ordered Hercules to clean the stables of King Augeas (hence Augean). King Augeas was very wealthy and owned a great many herds of cows, goats, horses, and sheep. So cleaning out the stables would take a, excuse the pun, Herculean effort. Hercules proposed a bet to King Augeas. If Hercules could clean the stables in one day, then Augeas would give Hercules one tenth of his cattle herds.

Well, my money is on Hercules, of course! Hercules diverted two rivers, which then flowed into the stables and cleaned out all the dung, much to King Augeas surprise.

In the end, Augeas reneged on the bet and the matter had to be taken up in court.

And that is how the word Augean came into existence!

Quotes from The Insidious Dr. Fu-Manchu by Sax Rohmer

Dr. Fu-Manchu

So, I recently finished reading The Insidious Dr. Fu-Manchu by Sax Rohmer. I rather enjoyed this book. It was well written, and the character of Dr. Fu-Manchu is intriguing. It isn’t any wonder he has infiltrated our popular culture.

The chapters of the book were originally serialized short stories that were first published in The Story-Teller (1912-1913) and then in Collier’s Weekly (1913). Rohmer turned those stories into the first Fu-Manchu novel. Many more were to follow. They became wildly popular, and Rohmer was able to make a nice living off the sales of his books.

Dr. Fu-Manchu employs his deep, arcane knowledge of chemistry, plants, insects, and animals, and even hypnotism to assassinate key figures in the British government that are trying to undermine the growing power of China. In the book, he has found temporary residence in London, and two British men, Nayland Smith of the Scotland Yard, and his friend Dr. Petrie, are fast on his heels.

Sax Rohmer

At any rate, enjoy my favorite quotes from the book!

THE THAMES

No one spoke for a moment, and in the silence I could hear the whispering of the Thames outside–of the Thames which had so many strange secrets to tell, and now was burdened with another.

LOVE

“Love in the East,” he had said, “is like the conjurer’s mango-tree; it is born, grows and flowers at the touch of a hand.”

ANTICIPATION

There are few states, I suppose, which exact so severe a toll from one’s nervous system as the anticipation of calamity.

MYSTERY

There was a world, I learned, upon the confines of which I stood, a world whose very existence hitherto had been unsuspected. Not the least of the mysteries which peeped from the darkness was the mystery of the heart of Karamanèh. I sought to forget her. I sought to remember her. Indeed, in the latter task I found one more congenial, yet, in the direction and extent of the ideas which it engendered, one that led me to a precipice.

FAMILY PRACTICE

And I was a medical man, who sought to build up a family practice!—who, in short, a very little time ago, had thought himself past the hot follies of youth and entered upon that staid phase of life wherein the daily problems of the medical profession hold absolute sway and such seductive follies as dark eyes and red lips find no place—are excluded!

SUPERSTITION

“Dr. Fu-Manchu,” replied the former, “was the ultimate expression of Chinese cunning; a phenomenon such as occurs but once in many generations. He was a superman of incredible genius, who, had he willed, could have revolutionized science. There is a superstition in some parts of China according to which, under certain peculiar conditions (one of which is proximity to a deserted burial-ground) an evil spirit of incredible age may enter into the body of a new-born infant. All my efforts thus far have not availed me to trace the genealogy of the man call Dr. Fu-Manchu. Even Karamanèh cannot help me in this. But I have sometimes thought that he was a member of a certain very old Kiangsu family—and that the peculiar conditions I have mentioned prevailed at his birth!”

VALUES

That she valued human life but little was no matter for wonder. Her nationality—her history—furnished adequate excuse for an attitude not condonable in a European equally cultured.

DR. FU-MANCHU

Imagine a person, tall, lean, and feline, high-shouldered, with a brow like Shakespeare and a face like Satan, a close-shaven skull, and long, magnetic eyes of the true cat-green: invest him with all the cruel cunning of an entire Eastern race, accumulated in one giant intellect . . .
Dr. Fu-Manchu! Fu-Manchu as Smith had described him to me on that night which now seemed so remotely distant—the night upon which I had learned of the existence of the wonderful and evil being born of that secret quickening which stirred in the womb of the yellow races.

Sublimation

My child lovingly fashioned a silhouette
from dream fragments and broken trances,
and wistful moments on a park bench tottering,
and behind bars crookedly drawn by rain drops
winding down an upper story window.

And you walked into it.
Its sublimation.

Janus, January, and Mystery Science Theater 3000

You may be wondering how Janus, January and Mystery Science Theater 3000 are connected. And what or who is Janus, anyway? Join me, please, on this fascinating journey.

JANUS
Janus

In Roman mythology, Janus was the god of doorways, passageways, journeys, and new beginnings. He had two faces, one that looked into the past, and one that looked into the future. In terms of a doorway, he watched over either side of the door. The month of January is derived from the god Janus, as January marks the beginning of the new year.

BRYANT HOLIDAY
Bryant Holiday

Bryant Haliday was an American actor of no particular consequence and has largely been lost to history. His brief sojourn as a film actor was confined to horror movies, of which he had an abiding interest, produced by Richard Gordon. Two of these films were Devil Doll and The Projected Man–films that would also have been lost to history, because they were absolutely awful, had they not been mercilessly lambasted by the crew of the Satellite of Love: namely, Michael J. Nelson, Crow T. Robot, and Tom Servo of Mystery Science Theater 3000.

JANUS FILMS
Janus Films

However, Bryant Haliday did co-found Janus Films, a film distribution company which was largely responsible for introducing the work of such great directors as Ingmar Bergman and Akira Kurosawa to the West.

DEVIL DOLL
Devil Doll

Bryant Haliday “starred” in the movie Devil Doll as The Great Vorelli, an evil ventriloquist and hypnotist. The movie also “starred” William Sylvester, who played a minor role as Heywood Floyd in 2001: A Space Odyssey

MYSTERY SCIENCE THEATER 3000
Devil Doll Riffed by MST3K

In the 8th season of Mystery Science Theater 3000, Michael Nelson and the bots decided to riff Devil Doll, and now the circle of life is complete!